David Tress
26 January - 23 February 2007  
Landscapes and Townscapes

 
The Land Greening
mixed media on paper
38 x 58 cm
2006
Stubble Fields, A Hot Day (Tarn)
mixed media on paper
40 x 57cm
2006
Spring Returning, Pencaer
mixed media on paper
27x36cm
2006
A Winter Afternoon
(Piccadilly Circus)
graphite on paper
59x78cm
2006
Pine Trees, Last Sun
acrylic on paper
38x57cm
2006
Summer (The Thorn is the Message)
mixed media on paper
40x52cm
2006
Blackfriars
oil on board
92x122cm
2004
A Train Passing (Blackfriars)
mixed media on paper
57x116cm
2006
A Gift in Late Summer
mixed media on paper
57x76cm
2006
A Study. Westminster
(October Sun)
mixed media on paper
58x76cm
2006
Traffic at Westminster
mixed media on paper
57x76cm
2006
Thorn and Hill
mixed media on paper
58x76cm
2006
The Silver Forest in Heat
acrylic on paper
38x57cm
2006
The Shadow, The Thorn, The Cloud
mixed media on paper
57x79cm
2006
The Red Thorn, The Dark Berry, The Turning Year
mixed media on paper
63x84cm
2006
Uzmaston, Pembrokeshire
mixed media on paper
57x76cm
2006
March (Searching for Capel y Gwrhyd)
mixed media on paper
29x36cm
2006
Gorse and Sea (Winter)
mixed media on paper
58x78cm
2006
Fruit Trees and a Cloud (Tarn)
acrylic on paper
38x57cm
2006
Castle Acre Priory, Norfolk
graphite on paper
57x76cm
2006
Passing Year (The Dark Berry)
graphite on paper
59x77cm
2006
 

 

previous exhibitions:

David Tress - recent drawings and paintings
28 January - 26 February 2005

Since settling in Pembrokeshire in 1976 David Tress has become a landscape artist. Having spent his early years in London, he demonstrates his excitement and passion for the countryside by becoming totally physically involved with his pictures.

‘His pictures are not just pure celebration, hymns to the spirit of the place, but are more likely to encapsulate in their very method of making some of the timeless violence of nature, red in tooth and claw. For Tress attacks the surface of his pictures, most usually when the support is a heavy watercolour paper, and scratches and gouges it with finger, knife, or screwdriver. When painting in oils on canvas or board, he might score the paint with a brush-handle or palette knife, but paper is more responsive to abrasion.'
Andrew Lambirth, December 1994.

It was not until he settled in Wales that he began to draw, and to teach himself the practical and traditional skills associated with representational art.

Please note, where you see a red dot - - the picture has been sold.

Damp October (Decay, Big Life)
mixed media on paper
58 x 76 cm
2004
Interior Deep Summer
mixed media on paper
56 x 59 cm
2004
It Will Always Be So (Thom and Sea)
mixed media on paper
40 x 57 cm
2004
Land and Sea Ending Year
mixed media on paper
41 x 57 cm
2004
Looking at Fields (End of Summer)
mixed media on paper
70 x 77 cm
2004
The New Spring Greening
mixed media on paper
38 x 56 cm
2004
Dark Sea, Pen Caer
graphite on paper
57 x 76 cm
2004
Summer (Waiting)
graphite on paper
58 x 76 cm
2004
 

 

December 2003 exhibition at Boundary Gallery

And Now Light (Loch Kishorn)
mixed media on paper
59 x 101 cm
Walls and Sea, Connemara
acrylic on paper
39 x 58 cm
Turf, Connemara
acrylic on paper
39 x 59 cm
The Tree (Rose of India)
acrylic on paper
38 x 57 cm
The Big Cloud (Spring)
mixed media on paper
70 x 77 cm
St Julia du Gras Capou
acrylic on paper
50 x 39 cm
2003
Pines, Last Sun
acrylic on paper
40 x 58 cm
2003
Light across Connemara
mixed media on paper
39 x 59 cm
2003
Lavaur
acrylic on paper
43 x 57 cm
2003
Hot Landscape (Rain Comes)
mixed media on paper
39 x 57 cm
2002
Green Day
mixed media on paper
56 x 76 cm
1997
Corn Rain
mixed media on paper
40 x 59 cm
2003
Connemara Bog, Brief Sun
mixed media on paper
39 x 58 cm
2003
Big Cloud Landscape (Tarn)
mixed media on paper
39 x 59 cm
2003
Yes, I Remember the Sound
mixed media on paper
38 x 56 cm
2003